This season, Kurt Geiger, in collaboration with Emily Ratajkowski, presents the world of “Kurt’s Motel”, a campaign from the British brand that celebrates its boldest collection to date.
Captured by photographer Laura Coulson, the iconic landscapes of Palm Springs transport the Kurt Geiger collection into a sun-soaked, mid-century escape reminiscent of 1950s and 60s vacations. The radiant Emily Ratajkowski showcases the brightest and boldest Kurt Geiger bags, whose vibrant colors embody the spirit of summer. Accessories, shoes, bags, and swimwear pieces prove that when it comes to style, more is more.
“Summer is just around the corner with the Kurt’s Motel campaign, radiating the ultimate Palm Springs vibe and the iconic Kurt Geiger glam. This season, we are unveiling a collection designed for the woman who, like Emily, knows who she is, knows what she likes, and loves dressing up. Staying true to Kurt Geiger’s bold spirit, the collection is bursting with color and intricate details that transform the bags and shoes into statement pieces”, says Rebecca Farrar-Hockley, Chief Creative Officer of Kurt Geiger.
Aiming to bring summer even closer, the collection offers luxury styles in vibrant hues and follows a retro color palette centered around turquoise and coral, complemented by light brown and yellow tones. The classic Kensington flap bag is reimagined with maximalist details such as an XL ombre chain, multicolored sequin flowers, embroidered patches, woven tweed fabrics, and tie-dye denim. The Kensington shopper is crafted from wooden beads, while the latest addition to the collection, the iconic Chelsea Hobo is adorned with bold animal prints, metallic finishes, or colorful bead drips and is completed with a chunky chain handle.
Kurt Geiger’s footwear collection draws inspiration from the 60s, blending fun elements with an abundance of glam that dominates the flats and retro sneakers in candy-like shades.
The Kurt Geiger Summer 2025 collection exudes the essence of summer and creates the ultimate holiday spirit.
